Tony Boncza (Major Metcalf), Oliver Gully (Christopher Wren) and Anna Andresen (Mollie Ralston) in The Mousetrap. Credit Liza Maria Dawson
It’s confession time. I’m a bit of a Agatha Christie fan girl. As a child I watched my mother devour her books, but it wasn’t until I watched a theatre production of Then There Were None, a few years ago, that I realised just gripping and relevant her work is still today.
On Monday night I had the pleasure of seeing her epic play The Mousetrap, which has been running in London for a whopping 60 years. Thanks to a UK wide tour I didn’t have to travel all the way to London to see it, I watched it from the very lovely Perth Concert Hall instead just 30 miles away from where I live.
The play is set in the newly opened guest house Monkswell Manor, where the owners Mollie and Gilles Ralston and their guests are snowed in. Then a visitor arrives, his name is Sergeant Trotter and he comes with news of a murder which is somehow connected to the guest house and its inhabitants.
To say any more than that, really would be a crime itself, so I’m going to stop there and urge you to see it as I did – like a blind mouse, kept very much in the dark!
With superb acting from all the cast, including the fantastic Anna Andreson as Mollie, Oliver Gully as Christopher Wren and Lewis Collier as Sergeant Trotter, and a fantastic set – this production is a must see. But it is the clever script and the glorious twists and turns that captivate the audience and make Agatha Christie’s The Mousetrap a national treasure.
The Mousetrap is currently touring the UK. For more information and ticket information, please visit: http://mousetrapontour.com/
After thoroughly enjoying Dundee Rep’s spectacular production of Agatha Christie’s And Then There Were None a few years back, I was really excited to see their latest production of Christie’s play, Witness for the Prosecution.
The play centres around Leonard Vole, an apparently harmless and lovable rogue who stands accused of murdering the wealthy Emily French. He knew this older lady well, they were firm friends in fact, Vole even admits that he was with her on the night of her murder, but claims he was back at home long before any crime had taken place. But will the court believe that he’s innocent? Will the testimony of Vole’s strange and mysterious wife Romaine, his only alibi, be enough to prove to the judge, jury and the audience that he is in fact not guilty?
I’m not going to say much more about the story as I want you to be just as gripped by the twists and turns of the court room drama as I was. I want you too to gasp so loudly that the person next to you shakes their head and gives you a loud tsk (apologies Mum). But what I will tell you is this – I spent my entire time in the “jury” seat trying to second guess how the play would unfold, and I got it wrong every single time. Forty years after her death, Dame Agatha Christie’s still got it.
With Christie’s play demanding a big cast, this was an ambitious undertaking for the Dundee Rep, but they smashed it, producing a slick and compelling drama worthy of any west end theatre. With stellar performances, a fantastic set and a positively captivating story, I highly recommend you get yourself down to the Dundee Rep and see Witness for the Prosecution very soon.
Witness for the Prosecution is on at the Dundee Rep until Saturday the 19th of March. For further information and to book tickets, visit their website: www.dundeerep.co.uk